Bob Campbell
STAR-LEDGER STAFF
Twenty-six-year-old insider-outsider Kevin Smith wraps up his "New
Jersey Trilogy" with "Chasing Amy," a sidewinding sex comedy that serves up a
zigzagging curveball.
While mining the same landscape of blue-collar suburban youth as in his
popular no-budget "Clerks" and his widely reviled "Mallrats," Smith broadens his
social and behavioral perspective. His movie is about, and marked by, growing
pains.
Its subject is the infatuation of stolid young Red Bank comic book artist
Holden (Ben Affleck) with a trippy New York lesbian (Joey Lauren Adams). Piling
outer conflict on inner, Holden's moody partner Banky (Jason Lee) tries to
sabotage the couple's prospects.
Holden and Banky, famous within the comix subculture as creators of
offbeat superheroes "Bluntman and Chronic," are reluctant to let go of their last
ties to childhood. The lifelong pals hole up in a funky Red Bank headquarters,
venturing into New York only to pursue assignments and girls.
Played by Affleck with appealing uncertainty, Holden is the more
adventurous and adaptable one. Dismayed and improbably shocked to learn that
goofball comic artist and sometime rocker Alyssa Jones (Adams) is gay, he's
able to not let that fact block a deepening friendship which slowly ripens into
love.
Adams' Alyssa, endowed with an overload of squeaky winsomeness, sets
aside her initial anger to embrace what she secretly wants. To the caricatured
horror of her lesbian circle, she snuggles in with her first serious boyfriend.
Banky, agitated, plots to part them. The male-male undertones are so
obvious as to seem consciously evaded, but Smith - in his one-thing-at-a-time
way - finally confronts them head-on. One odd note is that no one, not even
cool Alyssa, seems ever to have heard of bisexuality. Devoted to breaking down
rigid categories and confining preconceptions, the movie unconsciously
reinforces them.
There's something fanciful about the guy-meets-lesbian setup, but the
movie switches to a more personal tack halfway through. At peace with Alyssa's
lesbian past, Holden recoils when Banky dredges up her sordid hetero exploits.
Reviving a chord from "Clerks" and "Mallrats," yet another Smith hero is freaked
out by the sexual history of another Jones girl.
Smith's story sense is fitful, and he's over-dependent on farfetched
oddballs and snappy sketch routines for laughs. He seems most certain of his
ground during Holden's heart-to-heart with two eccentric drug dealers. Lank-
haired Jason Mewes reprises his speedy doper dude from the two previous films.
Dwight Ewell exudes beefy melancholy as the sidekick whose own story Ñ
which gives "Chasing Amy" its title - replays Smith's uncertainties about female
sexual freedom.
A fundamentally goodhearted grab bag of the naive and the hip, the
sincere and the sardonic, "Chasing Amy" resembles the shabby convenience
store left over from "Clerks." Junk food filler is over-represented, while more
refined delicacies are missing altogether. But it's possible to piece together a
satisfying picnic from the tastier items at hand.
RATING NOTE- Shying away from nudity and overt sexual activity, the
movie compensates with brazenly raunchy dialogue riffs.